……There are these two young fish swimming along and they happen to meet an older fish swimming the other way, who nods at them and says “Morning, boys. How’s the water?” And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes “What the hell is water?”………
……Here’s another didactic little story. There are these two guys sitting together in a bar in the remote Alaskan wilderness. One of the guys is religious, the other is an atheist, and the two are arguing about the existence of God with that special intensity that comes after about the fourth beer. And the atheist says: “Look, it’s not like I don’t have actual reasons for not believing in God. It’s not like I haven’t ever experimented with the whole God and prayer thing. Just last month I got caught away from the camp in that terrible blizzard, and I was totally lost and I couldn’t see a thing, and it was 50 below, and so I tried it: I fell to my knees in the snow and cried out ‘Oh, God, if there is a God, I’m lost in this blizzard, and I’m gonna die if you don’t help me.’” And now, in the bar, the religious guy looks at the atheist all puzzled. “Well then you must believe now,” he says, “After all, here you are, alive.” The atheist just rolls his eyes. “No, man, all that was was a couple Eskimos happened to come wandering by and showed me the way back to camp.”…..
“Multi-instrumentalist and composer Prem Joshua is a pioneer in the field of World Music, exploring and creating a new synthesis in sound which takes us beyond the borders of both East and West.
Haunting melodies on the sitar, bamboo flute and soprano sax soar over driving tabla rhythms – ancient Sanskrit and Sufi poems are re-awakened by captivating songs and chants. And while drawing inspiration from these deep wells of the musical traditions of the East, Joshua has never lost touch with the pulse of contemporary Western music. Over the years he has continued to refine his awesome talent for fusion, mixing meditative classical Indian ragas with highly energetic compositions, modern cutting-edge sounds and grooves, to create a music both distinctive and unique.”
“I was a natural rebel and I was very against this whole sannyasin path, I hated anything that looked like a cult. But I wanted to find out what it was all about. So I went to one discourse. Before, my head was telling me to stay aloof, to stay judgmental, but as soon as Osho walked in I started crying. It was beyond my head, it was in my heart. And the love affair with the master started there; it′s still there.” “I used to play for Osho every day, he encouraged me to play Indian music, the sitar, the bamboo flute. We would spend a whole day creating a new piece for him. It was not performing, it was like a big wave of love expressed through music. It was unbelievable.”